open auditions
Auditions for Sunday in the park with george will be held on June 13 & 14 in the maffei theatre at king's college.
|
Sunday in the Park with George is a moving journey through time, creativity, and human connection. Inspired by Georges Seurat’s iconic painting, this Pulitzer Prize-winning musical by Stephen Sondheim and James Lapine explores the tension between love, legacy, and the cost of creating art.
As painter Georges Seurat obsesses over his masterpiece, his relationship with his lover Dot begins to fade. A century later, his descendant—also an artist—searches for meaning in a world that feels disconnected.
|
Requirements and Commitments:
For auditions, actors should come prepared with a one-minute monologue and 16 to 32 bars of a song from a musical composed by Stephen Sondheim. Please bring either sheet music or a backing track to accompany your vocal performance.
Also bring a full list of their daily schedule, commitments, and conflicts through July 31, 2025. Rehearsals will begin the week of June 16 and be held on weeknights and weekends following an efficient schedule that will be handed out following the read through. Tech weekend will be July 25-27 and performances will be held August 1, 2, 8 & 9 (evening) and August 3 & 10 (matinee).
Though we greatly prefer that you audition in person, if you cannot attend the auditions, please complete the form and submit a video audition to [email protected].
Casting:
Gaslight is committed to inclusive productions and does not discriminate in its casting practices. Gaslight will whenever possible⸺and not specifically dictated by the playwright or the plot⸺dynamically cast actors outside written gender, race, age, sexual orientation or identity, and physical ability who also fit the requirements of the role and the chemistry of the cast.
For auditions, actors should come prepared with a one-minute monologue and 16 to 32 bars of a song from a musical composed by Stephen Sondheim. Please bring either sheet music or a backing track to accompany your vocal performance.
Also bring a full list of their daily schedule, commitments, and conflicts through July 31, 2025. Rehearsals will begin the week of June 16 and be held on weeknights and weekends following an efficient schedule that will be handed out following the read through. Tech weekend will be July 25-27 and performances will be held August 1, 2, 8 & 9 (evening) and August 3 & 10 (matinee).
Though we greatly prefer that you audition in person, if you cannot attend the auditions, please complete the form and submit a video audition to [email protected].
Casting:
Gaslight is committed to inclusive productions and does not discriminate in its casting practices. Gaslight will whenever possible⸺and not specifically dictated by the playwright or the plot⸺dynamically cast actors outside written gender, race, age, sexual orientation or identity, and physical ability who also fit the requirements of the role and the chemistry of the cast.
Questions?
Contact us at [email protected] and we'll get back to you as quickly as possible!
Contact us at [email protected] and we'll get back to you as quickly as possible!
About the Director
|
Dave ReynoldsDave Reynolds is a proud co-founder of Gaslight. He has served as Resident Designer and Technical Director since the company’s inception and has designed nearly every production. Dave has also directed several productions, including: Taming of the Shrew, Macbeth, Romeo and Juliet, The Complete Works of William Shakespeare (abridged), and Quiet Cowboy. Dave is currently an Assistant Professor of Theatre at King’s College. He earned a MFA degree in Design from Temple University. He has worked extensively as a freelance designer in NEPA and Philadelphia. Dave’s favorite roles have been as husband to Christina and father to Max, Elliott, and Rosie.
|
Production team
|
Music Director: Michele Millington
Stage Management: Eden Stella Asst. Stage Management: David Howell Technical Director: Dave Reynolds Set Design: Michael Gallagher and Mike Wawrzynek Light Design: Jonathan Vojtko Sound Design: Allen J. Bonk |
Projection Design: Mike Wawrzynek
Costume Design: Autumn Galka Scenic Charge: Mariah Yantz Movement Coach: Beth Powers Props Master: David Howell Production/Marketing: Eyanna Wawrzynek and Jahmeel Powers Box Office: Jason Alfano (head), Eden Stella (assistant) |
Getting to King's College Theatre
Guests can park in the Holy Cross Lot or the McGowan Lot accessed from West Union Street and North Franklin Street. If the gate is down at the cul-de-sac, please use the call box for Security and let them know you visiting the theatre. You may also take advantage of any street parking on North Main St. or West Jackson St. You can then walk across campus (towards River Street) to enter the Mulligan Science Center and Administration Building. Once inside, the theatre is through the first set of double doors on the left.
